2024 * R * 1h 55m. This is another “play within a movie” offering in a totally different setting that took me by surprise. It’s one of those rare films you accidently stumble upon, and makes you wonder why it isn’t better known. What a powerful piece of filmmaking. I can’t recommend “Ghostlight” strongly enough.
It’s a very moving story that’s a bit slow in the beginning, but soon has its talons hooked into you—with an engaging story and fine cast. The movie is co-directed by the Chicago-based team of Kerry O’Sullivan and Alex Thompson and was written by O’Sullivan. The actors play off each other perfectly, which is no surprise since they’re an actual family in real life. Keith Kupferer and Tara Mallen are married and Katherine Mallen Kupferer is their daughter. You’ve probably seen the parents in other films, although they’ve mainly been in supporting roles.
Dan (Kupferer) is a construction worker, usually manning a jackhammer. He’s one of those tough, silent types, who seem to have something bubbling under the surface. One day while at work, Rita (Dolly De Leon) comes out of a nearby building and castigates him for making so much noise. A bit later when he’s almost struck by a passing car, he loses his cool and gets into a confrontation with the driver and is nearly suspended from his job. The same woman witnesses the outburst and subsequently invites him to come inside and see what she’s up to.
As luck would have it, she’s part of an amateur theatre group that’s rehearsing Shakespeare’s “Romeo and Juliet.” And surprise, they just happen to need someone to sit in on a table reading. Dan is totally out of his element, but he agrees to help out. He finds the whole acting thing very intriguing and it isn’t long before he gets the acting bug. He doesn’t want his family to know what he’s up to, so he lies and tells them he’s out drinking with his work buddies.
Meanwhile, his daughter Daisy (Mallen Kupferer), is in trouble at school. She’s been accused of hitting a teacher, and when the family meets with the principal, we get a taste of Daisy’s angst. She’s a high-strung 16-year old who is ready to lash out at any minute. Daisy can barely get through a sentence without a barrage of expletives shooting out of her trap. She ends up avoiding getting expelled by agreeing to see a therapist.
There are hints at some dark secret behind the family’s troubles. We learn early on that there’s an upcoming lawsuit against another family at the school, which they’re preparing for with their attorney. And the mom Sharon (Mallen), is the one holding the three of them together, just barely. The tension is palpable, especially at dinnertime. It’s like a powder keg just waiting to explode, with Daisy on edge and cussing like a sailor.
As the film progresses, much of the focus is on Dan and his involvement with the theatre troop. A young actor playing Romeo complains that Rita is too old to play Juliet and storms out in a rage and quits. Against his better judgment, Dan is coerced into filling in as Romeo. At first he’s totally out of his element, but slowly steps up to the part. As he immerses himself in the role we see how acting begins to heal him. It helps him deal with the emotions he’s hidden deep in his heart. One scene I found especially amusing is when Dan passionately argues that they should rewrite the ending of the play to make it a happy one.
This is one of those movies that really knocked me for a loop. I’m not a huge Shakespeare buff, but I can’t think of any other play that would work better in a film like this. It’s a rare movie that I kept thinking about days after seeing it. Just writing about it now makes me want to watch it again, even though I know how it turns out. It’s also one of those movies you’ll insist all your friends see!
In case you’re wondering about where the title comes from, here’s a brief explanation. A ghost light is a single light placed on stage after hours in order to keep the theatre’s ghosts happy. It’s one of those theatre superstitions like saying, “break a leg” instead of good luck to a performer. Or referring to “Macbeth” as the “Scottish play.”
5 out of 5 stars
Currently streaming on Hulu and to rent on Amazon, Apple TV, and other streaming services